Chatting with John Freedman

John Freedman, an American-born translator who lives and works in Russia, spoke to my Russian Theatre and Politics class today about his experiences both in Russia and with translating some of the plays we're studying.

With regards to choosing the title for the play Frozen in Time, a modern day Russian Romeo and Juliet, Freedman noted that the original Russian title, Exhibits, didn't exactly do the piece justice.

"It's interesting, the power of choices," he said. "'Exhibits' doesn't really give you a feeling. It doesn't give you anything. A title should point you in a certain direction, make a suggestion. I thought 'Frozen in Time' sounded much more influential. It implies not moving on, losing something that is part of human experience."

After seeing one of the first performances of Frozen in Time in Moscow, Freedman left disappointed and confused.

"For me, it lost a lot of course," he said. "You didn't get the way little things kind of build up and lead to the explosion. It's a difficult play to do. If I were directing it, I'd come back to this: you cannot create characters of these people. The ambiguity is very strong. You're encouraged to take sides and make judgments. If you have done that, you've started losing touch with the play. Everybody's life has its right to be expressed fully. The difficulties and conflicts we experience are legitimate. I love that ambiguity; it makes me accept everyone and everything."

Freedman also clued the class in about certain aspects of Russian culture. Infidelity, he said, while frowned upon, is not such a moral problem as it is in the United States. Gender roles that used to exist in the United States are still prevalent there, where in the most general terms, the females typically are the nurturers and the males are the protectors.

"There's a certain understanding of life that Russians have," Freedman said. "There's a sense that life itself is sacred, not the morals attached to it."

Freedman's endeavors in the emerging Russian theatre world will be transformed from page to stage this fall in the premier of the TU Theatre Department's "Russian Season," featuring several of the plays he's translated over the span of his impressive career.

For more on Freedman's experiences and life in Russia, journalism and theatre, head here.

I remain your Drama Queen.

Take off that gloomy mask of tragedy, it's not your style

My Russian Theatre and Politics class went downtown last night to the Hyatt hotel near the World Trade Center, where the Ambassador of the Russian Federation to the United States, Sergey Kislyak, spoke briefly about Russian-American relations. It didn't remotely have to do with theatre, but it gave us some perspective into foreign policy, and how current economic and political conditions in Russia can affect the types of artwork produced there and consequently those we may see here in the near future.

I won't bore you with gritty details, but essentially he indicated that Russia is a young nation that is still learning how to embrace its independence and govern itself. He himself does not agree with certain ways the United States has handled certain instances in the past, or with the ways in which the American media has portrayed Russian political action, namely recent conflicts with Georgia, which struck a particular chord in me as a Mass Communication major. But he does acknowledge that Russia has also had considerable failures. He also says relations are improving and he is optimistic that we will come to terms on several issues such as gas prices and our relations within NATO.

(Update: Today (March 5th), NATO resumes ties with Russia! Thanks, Twitter!)

Overall I'd say he's quite optimistic about the future of Russian-American relations, and when it comes down to it, even the fact that we were permitted to have this class to examine new Russian drama (which is still not universally accepted in Russia) and function as intellectuals in this fascinating new element of their culture is still mind-blowing to me. Hopefully these improving relations will allow for improved support of the evolving arts in Russia so that we may enjoy them here.

Here's the class with the Ambassador, courtesy of Dr. Robyn Quick.


And here's Dr. McCartney approaching him, also courtesy of Robyn.


As always, I am your Drama Queen.

There may be something there that wasn't there before

The Fall 2009 Season for the TU Theatre Department has just been announced. Every semester, we typically put on two large Mainstage shows, and then undergraduate students in the department direct their own shows and graduate students stage their works, usually self-written. So ideally there are four or five shows running per semester.

The fall season is introducing a foreign influence. I know I'm getting a bit ahead of myself here, but my last entry mentioned England's excellence in the art and the Russian project I'm involved in. Well, fancy that. William Shakespeare's classic love story, Romeo and Juliet, will be staged here in the fall. Usually the department does put on historical plays of some sort, like last fall's The Crucible (set in Puritan Salem) and The Piano Lesson (set in 1930s Pittsburgh). Performing Shakespeare is something Towson hasn't embraced in several years and it will take this department one step further into our historical endeavors as we bring Elizabethan Italy to the stage.

The second Mainstage show will be the Russian play Tanya, Tanya, translated by American translator John Freedman (seen on the left) and directed by Russian guest director Yury Urnov, both of whom have been actively involved in TU theatre for some time now. The show is still being adapted for performance, but the department is excited to debut this work on Towson's stage.

Another new Russian play called The Polar Truth will be staged in the structure of a performance workshop by one of the department's graduate students.

These relations with Russian theatre artists has had remarkable impact in the past few weeks and it's already spread like wildfire into the department, and hopefully it will continue to delve further into crossing cultural boundaries in the future.

--DQ

But I know the answers lie far from this world

When American theatre goes international, things can get quite exciting. It's no secret that other countries like England, home of the Bard himself, are truly cultured in the art. Thus, I am quite excited to share this news with you.

The theatre department here at Towson University has been involved with Russian directors and translators for a few years now, and these relations have been steadily improving. With that came the idea for a new interdisciplinary project in the structure of a class. It's called Russian Theatre and Politics, and I am currently enrolled.

Russia has had considerable political turmoil until only recently, and so they are entering a new era of freedom in the theatre. With that in mind, the premise of the class is that students from both the theatre department and the political science department (as well as a few international studies majors) have the chance to take this class together, each to learn about the discipline they know least about. It's taught by two instructors, Dr. Robyn Quick from the theatre department and Dr. Alison McCartney from the political science department. The coursework involves reading Russian plays and examining them in their contexts as part of Russian political culture. It's both a history lesson and a look into an art that is emerging as an important cultural aspect in the largest country in the world.

This also means that, as students in this experiment, we are going to be the first Americans to read new and still-in-the-works translations of some of these plays. How exciting it is that we are part of Russian theatrical history!

Because of the groundbreaking work we're doing in the class, we have been invited to attend a Russian Ambassador's speech next week at the World Trade Center in downtown Baltimore. I'll be sure to report back here after it's over. I hope to make this experiment part of a series of posts here.

Fine arts have such power to open doors and to cross cultures, and that's true now more than ever before.

I remain your Drama Queen.